Please direct your attention to the subtitles at the bottom of the screenshot above. Did you read them? Cool. I’d like to take a moment to reflect on what must have been going on during the production of this show for that line to be included in the next episode preview. Ordinarily a creative team would make their case for your continued viewership by working hard to write, storyboard, animate, and direct a watchable piece of entertainment, but not Gundam: Reconguista in G. No, unless this was a gross mistranslation, it seems as though somebody in charge of writing these previews was capable of recognizing the ridiculous, inane nature of the show that they and their fellow staff members had created. So they took stock of their situation and realized that, in the interest of keeping audiences interested and their job secure, the best course of action would be to ask the viewers, who the preview assumes are uninterested in watching another episode, to just watch anyway, based nothing whatsoever. Sasuga Gundam.
This show is still dumb, but in this third installment it crossed into “so bad it’s good” territory, or at least “so bad it’s funny.” There were constant shots of poor little animals in their natural habitats being disrupted by the big bad military, the best of which resulted from a jaguar falling out of a tree and landing on a python. Aida, the female space pirate who was captured in the first episode, makes her escape from the capital by simply taking the elevator to the hangar where her robot was being kept, getting into the cockpit, and flying away. Nobody appears to have a problem with this, including the man responsible for her detainment, who simply watches from another room as she flees. Aida takes three other people with her, one of whom is totally baffled as to why an enemy combatant would want to escape captivity (presumably because she thinks that the capital is just so nice). The incompetence displayed by literally every character in this episode was laughable.
For all its silliness, though, I’m curious about the next episode. Bellri, Aida and company are headed to the enemy camp, where I’m sure we’ll get another perspective on the conflict between the capital and the pirates, and maybe clear up some of the confusion surrounding the “plot” so far. Getting away from the pointless cheerleaders, religious ceremonies, and beautiful architecture of this first chapter could make the show a bit leaner. And I still like all the retro elements that this new Gundam brings to the table, including character designs, sound effects, and of course giant robot fights. If Tokyo Ghoul has a mediocre or bad showing in just a minute here, this nonsensical, desperate series could actually advance to the third round. I kind of hope it does.
Tokyo Ghoul – Episode 3
This episode was more slice of life than horror, and it was all the better for it. Ken’s lonely struggle to remain human despite his ghoulish hunger wore thin pretty quickly, but I could watch an entire series where he stars as an empathetic half-breed learning the ropes of ghoul society, and that’s just what we got this week. By making its main character into a server at Anteiku, the coffee house where ghouls “come together for fellowship,” Tokyo Ghoul has created an easy way to introduce the rest of its cast (including The Gourmet, who makes his first appearance right before the credits roll). This in turn helps set the stage for whatever big conflict is brewing between Tokyo’s ghoul population and CCG, the task force responsible for hunting and killing humanity’s newest predator.
Amon and Mado were the two ghoul hunters we saw at the tail end of the second episode, but this time they snagged a good bit of the spotlight for themselves. Amon is level-headed, well-groomed and professional, whereas Mado (pictured above) is twitchy, greasy-haired, and constantly on the verge of losing his shit. Honestly, he looks more like a ghoul than anybody else in the show. Scenes featuring these two gentlemen interrogating and then killing unfortunate ghouls broke up the sunshine and rainbows of Ken’s plot this week, giving the whole production a well-rounded feel. In fact, this was one of the best episodes of the tournament thus far: fluid animation, tight narrative structure, cool soundtrack (the ED recently struck me as being reminiscent of The Pillows), and just an overall entertainment factor that anime is uniquely capable of achieving.
The Verdict: If you’d told me after I seeded it in last place that I’d be reluctant to drop Gundam: Reconguista in G a few weeks later, I wouldn’t have believed you, but here we are. I’ll probably watch one or two more based on the goofy fun supplied by the third episode, but I won’t be blogging it anymore. Sayonara, G-Reco!
Jojo’s Bizarre Adventure: Stardust Crusaders – Episode 3
This was not a great episode, and neither were the two before it. Stardust Crusaders has been paced very deliberately so far, which is not something I was anticipating after how quickly things progressed in the 2012 series, but I think I’ve adjusted to it now. And just in time, too, because after a ridiculously contrived series of Stand powers and research trips, the gang is on a plane to Egypt, intent on killing Dio and lifting the curse on Holly. Jojo’s Bizarre Adventure is a tough series to blog in a lot of ways: its superb visual style makes it difficult to choose screencaps, its ludicrous plot defies any sort of analysis, and its characters are all such gigantic meatheads that they don’t really undergo any sort of growth or development. But all of that is forgiven in light of the fact that “Walk Like an Egyptian” was revealed to be the ending theme this week. Stardust Crusaders is definitely sporting the best OP/ED combo of the tournament, and the consistent post-credits tags featuring Dio are just icing on the cake. This series might not be operating at its peak just yet, but it always features the best opening and closing minutes in anime.
Ace of Diamond – Episode 3
Sports series – or at least sports series that aren’t directed by Masaaki Yuasa – have their work cut out for them in a tournament like this one. Many of them follow an established formula: a brash but talented newbie joins a team, bonds with each of its members at a rate of one character per episode, makes the starting lineup, and then the narrative becomes a string of games, one after another, until the end of time. The bonding process is slow going, sometimes agonizingly so if you don’t take a shine to any of the characters. The thing is that this formula not only works, it’s capable of producing excellent results, as with Haikyuu!!, which I watched as it aired just months after this show. I love Haikyuu, and while it has much better production values than Ace of Diamond, it probably wouldn’t have fared much better than its sister series if it had to fight to stay alive each week.
Eijun is the sort of character (and by extension, Ace of Diamond is the sort of show) that makes faces like this one in response to almost everything that happens to him. He’s late for his first day of practice, talks back to his coach, accidentally puts spin on a ball that he was trying to throw for maximum distance, and is generally a bonehead all throughout this episode. There’s an inherent likability to the earnestness of protagonists like these, but Eijun is as stock a main character as they come, even down to his physical appearance. I have no doubt that other characters will distinguish themselves and the team will become more than the sum of its parts as the series goes on, but unfortunately it’s three strikes and you’re out for Seidou High.
The Verdict: These two shows are similarly paced, but Stardust Crusaders looks and sounds much better. I’ve decided to drop Ace of Diamond, and it wasn’t a tough call.
NEXT UP: Kyousougiga vs. Gatchaman Crowds, Gingitsune vs. Yowamushi Pedal